appendix a: the official rules

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a. contest rules and judging 1. novel is to be 133,225 (365 x 365) words long. no credit will be given for reaching count. points will be deducted for going below or above count. 1-a. all words including articles and abbreviated words will be counted. hyphenated words will count as one word. numbers, such as"6" or "6,888,999" will be counted as one word. 1-b. manuscript may be in any language. judges may be presumed to be conversant in english, french, spanish and german. english or french are advised. 2. judgment will be weighted 40% for faithfulness to designated theme. 3. 25% for faithfulness to designated author style. 4. 35% for overall literary quality (as determined by judges). 5. research materials will be provided (see more detail below) including samples of designated authors work. however, severe demerits will be assessed for outright copying or plagiarism. 6. manuscript to be submitted at end of contest. there are no other rules as to timetable. 7. there will be no preliminary judging or grading. 8. manuscripts may be submitted either hand written, typed, or some combination of handwritten and typed (see below). 9-a. no points will be added or subtracted for spelling, grammar or punctuation except as the judges might find these relevant to literary quality (see above). 9-b. no points will be added or subtracted for any drawings or artwork. b. writing materials 1. paper, pens and pencils are provided. further supplies of these items may be requested through staff. 2. each room is equipped with a manual typewriter. these are not guaranteed to be repaired or replaced if broken or otherwise rendered inoperable. c. research materials 1. each contestant will find standard reference materials - encyclopedia's, etc - in personal room, along with samples of designated author works. 2. a library is adjacent to dining room. it may be visited during breakfast and dinner hours and books checked out. staff will always be present. collusion rules will be enforced, as at meals. it will remain open between breakfast and dinner hours and contestants may request books at that time through personal and guard staff. d. food and exercise 1. breakfast in dining room is at seven to eight thirty a m. dinner from six to eight p m. contestants will be accompanied to and from dining area by guards. 1-a. conversation is allowed, but no collusion or discussion of contest. staff will be present to enforce this. first violation of collusion/discussion rules will result in a warning. further violations will result in confinement to rooms - duration to be determined by administration. repeated violations will result in permanent confinement. 2. attendance at meals is not compulsory. those choosing to not attend may request meals to be delivered to rooms. (they will not be delivered automatically). 2-a. those confined to rooms may request meals to be delivered to rooms. (they will not be delivered automatically). 3. food and drink may be requested at any time through staff. note "requested". compliance with requests is at discretion and convenience of staff. 4. contestants may request to walk outdoors during daylight hours, always accompanied by at least one guard. staff will use their discretion in granting requests, and in duration of walks. only one contestant may be outside at any one time. this rule to be very strictly enforced. 5. contestants confined to rooms during meal times may request to go outdoors, subject to conditions of rule 4 above. e. staff 1. each contestant's room will have at least one, usually two, guards at all times. 2. each contestant is provided with a personal maid, whose services they may use at their discretion. contestants may dispense with the maid's services if they choose. if they do, they may also request a replacement. note that any replacement requests will not be considered a priority by administration. 3. contestants are not prohibited from conversation with guards or maids. they may discuss the contest, and even request advice or input regarding the contest. note that staff were not retained on the basis of any presumed expertise on matters relating to the contest. f. medical 1. medical attention may be requested through staff to administration. 2. requests for regular medications should have been made prior to arrival. further requests may be made through staff. 3. it is hoped that no contestants have arrived in a state of pregnancy. such a situation would be regarded with extreme annoyance by administration. g. general 1. no contestants will be disqualified, or allowed to leave contest, except by decease. 1-a. in the event of contestant(s) becoming deceased, the final order of finish in the contest will be adjusted by eliminating second place, third place, etc through thirteenth place, then first place. please ask to consult administration if you are not clear on this. 2. repeated or willful violations of rules will be dealt with severely. 2-a. any attempt to contact persons outside the contest area will be regarded as a most severe breach of rules. 3. administration and staff will determine enforcement of rules. 4. there is no appeals process.

chapter 5. helga

4. celine

by emily de villaincourt

illustrated by rhoda penmarq, roy dismas and konrad kraus

click here for previous chapter, here to begin at the beginning

"well then, i know you have all had a long day. i will ring for the guards to take you to your rooms. " "our cells, "said dorine. "if we have guards, they must be cells, right?" "call them what you like," miss prue answered good naturedly . "i think you will find them comfortable enough." "do they have bars on the windows?" asked sabine. "why no. but i don't think you will be climbing out of them. " "are there moats beneath the windows, with alligators in them?" asked jolene. "no. now those are enough silly questions. two last things i want to mention. each of you will find a complete set of rules to the contest in your room. look them over, please, and if you have any questions you can ask them tomorrow when we meet in the dining room for breakfast. and tomorrow we will make sure each of you has the proper library, as we discussed before. " miss prue looked down the table. "anything else? minette raised her hand. "can i have one of the hats?" "excuse me?" "you said earlier i might have one of the hats - that you pulled the pieces of paper from." "oh. well, the last girl still has to pull, when she arrives," "why? there is only one left in each hat. she is sure to get them, is she not?" "yes, of course. i suppose you can have the hats, why not?'" miss prue brought the hats back from beneath the table. she took the black hat out of the white one, then reached in and took the last paper out of the white one. it was stuck slightly to the bottom but she pulled it off without batting an eye. she repeated the process with the black one, where the paper was also stuck lightly to the bottom. she placed the two pieces of folded paper on the table in front of her and handed the hats to ameline. "pass these down to her, please." she looked down to minette. "if someone else wants one of them , give it to her" "is that the way of it?" asked dorine. "just ask and we receive?" "if it's no trouble, yes." miss prue reached under the table and touched a button and a chime sounded, not too loudly. after a few seconds the door opened and two young women in gray uniforms entered. "you will be escorted to your rooms two at a time." miss prue beckoned to the taller of the two guards. she handed her a piece of paper on which she had recorded the girls assignments. "get their names as you go, and write down the room numbers you put them in." the guard nodded. she turned to ameline and sabine. "all right, you two first." they stood up. all the girls had fallen silent, even minette and nanette, who had been trying on the two hats and giggling over them. outside in the darkness, the trees were swaying in the wind. a few raindrops appeared on the thick windows. ********* all thirteen of the girls had been taken to their rooms. miss prue continued to sit at the head of the long table, with all the lamps still lit. she had her ruled notebook open in front of her, and was doodling in it. mostly pictures of cats, and trees. muggins the maid appeared in the doorway. "the last girl has finally arrived, miss." "excellent. bring her in, please. " muggins opened the door wider behind her and the girl entered. she wore her coat and a smart little hat, and had a large alligator bag on her shoulder. she was a little more stylishly dressed than any of the other girls. miss prue looked up at the maid. "thank you, muggins. close the door behind you, please." muggins left, and closed the door. "well, celine, you certainly took your time getting here." "oh, there was some kind of delay coming up the mountains. but you know i love those old trains." "oh yes." the girl tossed her bag and her hat on one of the chairs and draped her coat over the back of it. then she came up and sat on the table on miss prue's right. she bent over and kissed her on the cheek. "miss me?" "how can you ask me that?'" miss prue's voice wavered slightly. "you little minx." the girl kissed her on the cheek again, closer to the lips. "well, here we are together again, duck." her eyes widened. "but under such circumstances! what a situation!" "yes, yes indeed. i tried to give you some idea in my letters, but i had to be circumspect. of course you got all the official correspondance, like the rest of the girls." "oh, yes. we have a year to write a novel, of what - about 130,000 words? that shouldn't be too difficult - if we have nothing else to do all day." "actually it is 133,225 words. we can discuss all that later." "and it is to be about what - anything i choose?" "yes, my dear - you - you can write just about anything you like. you see, your theme - picked by lottery - is "universal" - "ha ha! yes, i guess that is just about anything." "and i was able to save it for you." "oh my dear, and how did you do that?" miss prue picked up the two pieces of folded paper in front of her. "my little scheme wasn't foolproof but it worked. i put just a smidgin of clear glue on these papers and stuck them to the bottom of the hats they picked from. of course one of them could still have picked one or both but they didn't." "my, such a trickster." "i had a good teacher." "ha. and what is this second paper?" "the writer whose style you are to emulate. one of the papers was 'pick your own' and that of course, is what you got." "ah." miss prue picked up her pen. "but you do have to pick an author - i have to write it down." "oh - how about anatole france." the girl yawned, and looked around the room and out the window. " you must be tired. are you hungry?" "not really. i had a lovely dinner on the train. but i could use a coffee - and maybe a little cake or croissant." "i have coffee in my room. and some of those little cherry cakes you used to like." "oh. so sweet." miss prue blushed slightly. "another thing. you can have a room like the other girls, with a maid and guards - or - you can stay with me, if you like." "oh. if i like. ha, ha! " celine put her hands around miss prue's neck and kissed her on the lips. "you mean you thought i would rather sleep alone?" "thank you." "so we can get away with that? how - circumspect do we have to be?" "not very. leave everything to me." "good. then i guess everything is settled." "yes. but celine, listen, listen, before we go any further. you must understand how serious this is. i will do everything i can for you, but i can not do everything. i can only tell you what i told the other girls - i am not one of the judges, have no contact with them, do not even know who they are. in the end - you will be as alone as they." "calm down, duck, calm down. everything will work out. we will prevail - you and i." appendix a: the official rules

3. the assignments

by emily de villaincourt

illustrated by rhoda penmarq and konrad kraus

click here for previous chapter, here to begin at the beginning

miss prue reached under the table and produced two hats - a white top hat and a black homburg - and placed them in front of her. the girls looked properly bewildered. "are you going to pull rabbits out of them?" asked minette. "oh, i like those!" nanette exclaimed. "can i have one of them ?" "perhaps, when we are through," miss prue replied. "they may be a bit large for you. now, pay attention." she looked around. "each of the hats contains fourteen pieces of folded paper - very neatly and tightly folded paper, i might add - which will determine the content and style of the novel you are to write. the papers in the white hat describe the essence, or ethos of the novel you are to write - " "excuse me, " ameline interrupted, "but what does that mean? essence? does it mean something like a pirate novel, or a vampire novel, or a locked room mystery-" "oh, nothing so specific as that. for example, one of the essences is "violent" - you would write the most violent novel you can. another is "romantic" , another is "left wing" - " ameline looked around to the other girls. "but that is ridiculous! what if i am not a violent person? or a left wing person?" "these are the terms of the contest. i will explain more fully later and you can ask questions. may i proceed?" "i want the romantic one!" at least two girls cried. miss prue ignored this. "the black hat contains papers with the names of fourteen famous authors. your novel will be written in the style of the author you pick." "oh, but what if we are not familiar with the author!" "they are very well known authors. and you are supposed to be well read young ladies." the girls fell silent. "actually, the contest has shown some mercy in this regard - more than i might have myself. you will each be provided with the complete works - or at least a generous selection - of your author. your rooms will contain a library with these and other useful works such as the encyclopedia brittanica - " "i hope it is the eleventh edition," exclaimed paulette, " or at least the fifteenth." "i believe it is one of those, yes. also butler's lives of the saints, the golden treasury of palgrave, the historical essays of macaulay, and i am not sure what else -" "the bible, perhaps?'"asked quinette, the smallest and most timid of the girls, who had not spoken before. "yes, of course, the bible." "and the bhagavad-gita?" asked paulette. "yes, i believe we have sir edwin arnold's translation -" "oh, bother this!" cried rosalind. "do let her go on, please!" "sorry," paulette mumbled. "where was i? why don't we just pull the papers? then you can ask questions. " "what about the girl who isn't here?" dorine asked. "she will get the two papers left over - obviously. we will start on my right, and go around the table. you can either come up and pick the papers yourself, or have me pick for you. ready?" none of them answered. miss prue nodded to ameline, who stood up and picked a paper out of the white hat. she unfolded it. "feminist. cool." she stared at the piece of paper. "that means i get to write the most feminist book i can?" "that's what it means." "i can live with that." she looked around. the others looked back or looked away, not sure what to think. miss prue pushed the black hat toward her. "now pick your author." "bulwer-lytton! " a few of the others laughed. "well - we'll see." "next." sabine was next. she came up and quickly snatched a paper from the white hat. "left-wing." she looked at miss prue. "so i write the most "left-wing" thing i can think of, and i don't get in trouble?" "the terms of the contest are that you indeed write the most "left-wing" thing you can think of. " "this is weird," said laurene. "i thought we would pick something like the seven deadly sins or something. like something you'd do in dance class." miss prue ignored this. "pick your author," she told sabine. "oh yeah." sabine took a paper from the black hat. "graham greene. whatever" "next." victorine, the youngest girl, was next. she stayed in her seat. "go ahead and pick for me." "very well." miss prue took a paper from each of the hats. "ridiculous." this got a big laugh all around. victorine blushed. "yes, " said miss prue, "that means you need only write the most ridiculous thing you can think of. and your author is - kafka. " "that's not a bad pick," said dorine. "i wouldn't have minded getting it." victorine blushed again. perky minette was next. she came up and picked "violent." "ohhh - but i am not a violent person! " she looked around for sympathy. "can i trade with somebody?" "absolutely not. pick your author." "samuel beckett." she looked blank. "samuel beckett." she went back to her seat. nanette was next. "pick for me, please." "patriachal." "patriarchal! what the - i am not even sure what it means." "look it up in the fifteenth edition of the encyclopedia brittanica ," drawled rosalind. she stood up, as her turn was next. "and your author is proust," miss prue told nanette. "proust. i need help here." rosalind strode up to miss prue. she took a paper from the white hat. "anti-religious. huh. what religious am i to be anti?" "that is for you to decide. let me say to all of you," said miss prue, "that some of these categories are indeed very broad. you will have to use your own judgment as to what is best meant by them." "you mean to read the judges' minds," said ameline. "if you want to put it that way," said miss prue. pick from the black hat, please," she told rosalind. "sir walter scott. " rosalind rolled her eyes, and returned to her seat. "i believe scott was the oldest author in the list," said miss prue. "next." little quinette was in the last seat on the right. "pick for me, please, miss." "non-violent. and your author is stendhal." "that's a pretty broad category," said dorine. "that's another pick i wouldn't mind." "who are you, the roving commentator?" rosalind asked her. "is anybody asking for your opinions? "i'll say whatever i please, thank you very much." "ladies, ladies. we have been here less than twelve hours. no temperamental displays, please. let's get through this." miss prue looked down the left side of the table. "i think it will save time if i make the rest of the picks. do any of you feel she absolutely has to pick herself?' "yes," said dorine, "i would like to pick for myself." "very well. anybody else? no? good." "and by the way." added dorine, "are there not any women authors in the list?" "yes, i believe there are a couple." "two out of what, fourteen? that's great." "i'm sorry. i didn't draw up the list." "i'm sorry too. let's get on with it." "you are a rude little thing, miss. you are not getting off to a very good start." "i said i was sorry." miss prue stared at dorine for another two seconds. "all right, you down on the far left, you are - " "florine." "florine." miss prue took papers from the white and black hats. "right-wing." "i - i'm not sure what that means." "well, you will have a year to figure it out. and the author you will imitate is - gertrude stein." florine just nodded. "next - you are -" "coraline, miss." "your assignment is - "politically correct." "oh, i know what that means." coraline made a rueful little face. "at least." "good. and your author is - thomas mann." "uh." "moving right along." "my name is paulette." "paulette. you are the lucky one, paulette. you get "romantic" "oh." "you don't seem all that excited. your romantic novel will be done in the style of - balzac," "oh. thank you." "now you, miss." miss prue looked at dorine sternly, then softened her expression. "you wish to pick for yourself." "yes, i do." dorine rose and approached the head of the table. she stuck her hand in the white hat, fumbled around in it and pulled out a paper. she slowly unfolded it. "religious." she looked at it. "that might be the broadest category of them all." "indeed." dorine stuck her hand deep in the black hat. "and my author is - george sand." "ah. happy now?" "i'm not sure happy is the word. but thank you." dorine returned to her seat, clutching her two pieces of paper. "we are almost done. you, my dear - ". miss prue looked at laurene and took a paper from the white hat - have as your assignment - "romantic comedy" "oh!" laurene clapped her hands. "you didn't say anything about romantic comedy! all right!" "and your romantic comedy will be done in the style of - dickens." "whatever. romantic comedy. ha, ha!" "and finally - " miss prue turned to jolene at her left elbow, and took a paper from the white hat. " you get - banal." "banal? you mean i am supposed to make the book as banal as possible and i will get credit for that?'" "interpret it as you wish." "and whose style am i to write my banal book in?" miss prue opened a paper from the black hat. "flaubert" "ah." miss prue stuck the black homburg into the white top hat and placed them under the table at her feet. "now - i am sure you have questions." she looked down the table. "no?" no one spoke. now that the girls had their assignments, they all looked more bewildered than ever. chapter 4: celine

2. rules and regulations

by emily de villaincourt

illustrated by rhoda penmarq and konrad kraus

to begin at the beginning, click here

it had grown completely dark outside. the girls - still only thirteen of them - looked expectantly at miss prue as the maids cleared the long table of the remains of the tea. "very well," miss prue announced. "i suppose we can not wait for our wandering girl forever." she reached into a briefcase beside her chair and took out a slender notebook of ruled paper, filled with handwritten notes. she consulted it briefly. then she looked up and muggins was closing the library door behind herself and the other two maids. "first off - before we get to the contest itself - a few words as to your daily routine. you will each have your own room, of course. you will each have a personal maid, and you will each have at least two guards on your room. any communication with myself, during most of the 24 hour day, will be through them. you will have no contact with each other - none - except at meal times. you will have an hour and a half for breakfast every morning at seven o'clock and two hours for dinner at six. now listen carefully, for this is most important. you can converse with each other at these times but not - not - about the contest or the novels you are writing for the contest. the guards - and sometimes myself - will be monitoring you at these times to make sure that you comply." "may i ask a question?" "certainly. you are - dorine, correct?" "yes. wouldn't it be a bit more civilized to call these persons monitors, or teaching assistants or some such, instead of guards?" "they are guards. we do not engage much in euphemism in this etablishment." "i have a question." sabine, the sultriest of the girls, spoke for the first time. "yes?" "these guards, or whatever you call them - are they human?" "oh yes." "can we talk to them?" "talk to them all you like - assuming they have any interest in anything you have to say." "then are they female, male - " "they are all female." miss prue smiled. "anticipating any further questions on this subject, you will not set eyes on a manfellow, or a boy person, under any circumstances whatsoever, the whole time you are here. " "oh." sabine thought about this. "but suppose the place catches on fire?" "excuse me?" "if the buildings catch fire, might not some male firemen be sent to put the fire out?" "a good question - showing imagination. i don't know exactly what the procedure would be in such a circumstance, but no - there will not be any male firemen." "oh. just thought i'd ask." "any more questions?" paulette, the most serious of the girls, raised her hand. "yes, i have a question." "which is?" "what happens if we are caught talking about the contest - or violating any of the rules for that matter? are there punishments? what are they?" "a very good question. i was just about to get to that. to say that you do not want to know what the punishments are - best just not to violate the rules." miss prue smiled. "yes, that is all very well. i guess what i want to say is - how will the punishments affect the contest?" "it is for you to decide how they may affect your progress. punishments will not disqualify you. as we discussed earlier, only death will remove you from the contest. and the judges will know nothing of your punishments or your time here. they will know nothing of you at all." "thank you." "here let me make a related point - one that i can not emphasize enough. i am not - i repeat not - one of the judges. i have no contact with the judges and do not know who they are. so to put it in plain language, there is nothing to be gained from sucking up to me on that account." "oh," cried minette, the perkiest of the girls, "but that doesn't mean we can't be nice to you, does it? i mean, when we see you here at mealtimes." "of course not. courtesy and good breeding are always welcome." miss prue looked at her notes. "here is a subject we have not broached yet - exercise." "oh yes," cried nanette, the sauciest of the girls, "i am sure we all love exercise! are we to have any?" "you can ask your guards at any time to take you out to walk on the grounds - providing no other girls are out walking at the time." "how about riding? can we have horses - or ponies? riding is my favorite thing." "absolutely not. no animals of any kind are permitted on the grounds." "ohhh. not even cats or dogs?" nanette looked around at the other girls for support. "suppose we wander down to the kitchen? surely the cook will have a dog, or a nice little kitty to catch mice, will she not?" "have you been listening? you will not be wandering down to the kitchen or anywhere else. i do not spend much time in the kitchen myself, but there are no dogs or cats there. i repeat, there are no animals on the grounds, not to ride away on, or anything else." "well," said josette. "since we are on the subject of the kitchen - and since i guess i am to be the one asking such questions - can we get anything to eat or drink - anything at all - between breakfast and dinner ? " she looked around as if expecting laughter, but all the girls were looking at miss prue expectantly. "you can ask the guards to get you something - it will be up to the cooks if they can spare anything." "i guess that will have to do. thank you." "any more questions?" miss prue paused. "um. i have a question." rosalind, the tallest and haughtiest of the girls, spoke up. she had a high, twitty voice that made some of the others affect to wince. "these guardpersons - can they beat us?" "why? do you expect to do something to deserve to be beaten?" "i am just asking." "if you break a rule, they will report it to me, and a punishment will be meted out. i hope that answers your question." "but they can't just up and decide to beat us?" "no" "i'm so relieved." no one else seemed to have a question. "very well then," said miss prue. "all in all, fairly intelligent questions. perhaps you really are a group of well bred young ladies after all. i hope so, as good breeding will help us all get through a long year. none of you asked the reasons for the rules - it should be obvious, to prevent cliques and collusion. personally, i would have made the rules a bit stricter, but i didn't make them. now." she turned a page on her notebook. "to the business at hand - your individual assignments." "individual assignments?" asked ameline. "you mean we are not all to have the same assignment?" "oh, no, no." "that hardly seems fair." "fairness - fairness. fairness has nothing to do with anything here." chapter 3: the assignments