Friday, August 30, 2013

toquette - 4. the postmistress

by jolene de joinville

illustrated by roy dismas and rhoda penmarq

editorial consultant: Prof. Dan Leo

click here to begin toquette

click here to begin the 14th princess





life was as satisfactory as the sky was blue, the young marquis of whitethane thought absently as he sipped his coffee on the small terrace outside jacques' cafe. and the sky above was very blue.

the marquis - actually the son of a duke, with the courtesy title of marquis - was the very portrait and embodiment of an englishman. nothing could disturb his tranquility when he did not wish it disturbed. and he almost never wished it disturbed. of a naturally indolent, though easy disposition, he enjoyed, and sought, the company of those who liked to talk, and who would spare him the burden of speaking much himself.

he also enjoyed the company of those who could tell a story, and never concerned himself as to whether the stories were "true" or not. to exercise your mind to decide whether a story was "true" - what a bother! and how was one to decide in any case?

toquette's assertion to the policeman that she was from "the sovereign kingdom of asmodea", of which the young man had never heard - although he considered himself a dab hand at world traveling - had piqued his curiosity to the extent of offering her his worthy company, which is how it came about that they were now sitting across from each other outside the cafe, sipping jacques' excellent coffee.


"so, mademoiselle, do you have skies as blue as this in the sovereign kingdom of asmodea?"

"but, monsieur, i am no longer in the sovereign kingdom of asmodea. i am sitting here with you on a sidewalk in paris."

"to be sure." the young man smiled with his impenetrable imperturbability. he had already noted this quality of literal-mindedness in his companion, on their walk over from the street where he had encountered her, in front of m. hobart's establishment .

"when i was in asmodea the sun never shone for more than a few hours a day and it rained all the time, " toquette continued. "it has probably not changed all that much since i left."

"it must be mountain country."

"very much so. there is always an excellent view of the sky and clouds."

"and did mademoiselle leave the kingdom to get a better view of the sun?"

"monsieur is pleased to be droll. i left because the kingdom of asmodea, after thousands of years of existence, finally succumbed to the implacable forces of the new mechanized society which is engulfing the earth, and threatens to overwhelm heaven and hell themselves."

the young marquis was delighted by this response, delivered in a french even worse than his own, though with not quite so barbarous an accent. he put down his cup, and closing his eyes, leaned back and pressed his fingertips together in the best english style.


"i can picture it. the ancient castle, the sun glistening off the battlements - i mean, the rain glistening on the battlements - the royal guard, sabers raised to the gray sky, the steeds rearing, ready for one last gallant charge against the black-uniformed hussars of the empire, while the princess - the last representative of a royal line stretching back to the time of cyrus, or at least cleopatra - looks on with her blue eyes raised heavenward."

toquette took a sip of her coffee. "not exactly."

"no?" the marquis smiled encouragingly. "then how exactly?"

"a frock-coated gentleman from the ministry of the interior of the kingdom of hungary arrived in a carriage one morning and announced that the king no longer recognized the sovereignty of asmodea."

"i see. and what was the immediate consequence of this decisive diplomatic intervention?"

"that the post office closed and the nearest post office in crisana assumed the responsibility of delivering the mail."


"and what was the king of asmodea's s reaction to this?"

"the gentleman from the ministry of the interior bought several rounds of drinks for the king and his boon companions at the inn. and the king got up the next morning, perhaps a little later than usual, and went to his blacksmith shop to attend to his business."

"how very heroic. so no one was in any way inconvenienced?"

"only the postmistress, who lost her job."

"ah. and what happened to the poor postmistress?"

"you see her sitting before you."

the marquis was almost nonplussed by this answer. "so, there was nothing to keep you in the former kingdom of asmodea?"

"there was nothing to keep anybody in the former kingdom of asmodea."


"so you went down to the railroad station and took the train to paris?"

"railroad station? the railroad has not yet arrived in asmodea. no, i got a ride to cluj-napoca in the carriage of the minister of the interior."

"cluj-napoca? i must confess i have never been to that thriving metropolis."

"the minister was continuing to stamboul, so i left him at cluj-napoca and decided to try my luck further west."

"it was generous of him to take you as far as he did."

she looked him in the eye. "generosity had nothing to do with it."

"oh?" the marquis answered politely.

"he accommodated me, and i accommodated him."

"to be sure."


"accommodation, monsieur, is what separates us from the beasts, from creatures such as lions and tigers who must be confined in zoos."

"that is very well said."

reader, do not imagine that the young man was so ignorant as to be unaware of toquette's occupation - even if policeman jacques and madame coralie had not called his particular attention to it. however, with his anglo-saxon horror of the unscrubbed, he had no more intention of employing her in her professional capacity than he did of traversing the streets on his hands and knees. but he found her amusing, and preferred that she not leave him.

"would mademoiselle like another coffee?"


"why not? thank you very much."

"it is excellent, is it not?"

"it is all right. i am used to the turkish method. but it will do."

m borin, meanwhile, two tables over, had been listening to their conversation with some bemusement, though horrified at what they were doing to his beloved native tongue. the turkish method! he was not at all sure as to what the young woman was referring.

the turkish method! the young man wondered if, after all, she actually was from some distant land and not just having him on.

"would mademoiselle like a pastry, or a croissant?"

"if you will. monsieur is too kind."

the marquis signalled to jacques, who nodded and glided over to their table.

the sun rose a little higher in the sky.

to be continued



Saturday, August 17, 2013

the corsair - 4. marie

by paulette popolescu

illustrated by roy dismas

editorial consultant: Prof. Dan Leo

click here to begin the corsair

click here to begin the 14th princess





like all creatures who have spent too much time flying close to the sun, or at mountainous altitudes, the comtesse de colinson loved the sound of the sea, and as the chateau she had repaired to was only a mile from the shore, and as she had few guests, and as those she might expect were, like the baron de b---------, for the most part excruciating bores and preferably avoided, she spent much of her time walking beside the waves and gazing out at the alternately stormy and placid atlantic.

her favorite spot to pursue this timeless occupation was beneath a cliff about two miles north and west of her chateau. the cliff provided protection, if necessary, from sun or rain, and the watery vista, unmarked by rocks even at low tide, provided an excellent view of an edifice whose presence she found both soothing and curiously romantic - an old lighthouse. (but in this part of the world, there would, of course, be no new lighthouses - or anything new.)

in her visits to the beach the comtesse had seen no sign that the lighthouse was occupied. she enjoyed speculating on the possibilities of a romantic narrative regarding its abandonment, and had forborne to enquire as to its actual circumstances, either from servants, tradespeople, or the local gentry, any of whom might have quickly enlightened her.


on the afternoon our narrative recommences (for the comtesse never rose or bestirred herself before noon), she was walking along this favored spot accompanied by a single maid, the same child the reader has already encountered in our desription of the baron de b----------'s visit.

the coachman who had brought them to the spot had been despatched to the woods behind the cliff, on the pretext of catching some small game, or picking mushrooms.

the tide and the waves were high, a light rain fell through a mist, the lighthouse presented a supremely picturesque and forbidding aspect, and the comtesse's curiosity got the upper hand of her.

she turned to the maid, whose name was marie, and asked whether the lighthouse was still maintained?

"oh yes, madame, old mother morneau has kept it these many years, as did her husband before her, in the olden days."

the comtesse did not enquire, what marie might consider to be the "olden days." "i do not believe i have ever seen a light in it."

"has madame ever been here at night? i have not heard that mother morneau is not still there. as for shining a light in the daylight , the old woman prides herself on her keen eyesight, and is not inclined to waste oil or pitch. or anything else, for she is said to be as tightfisted as twenty protestants."

"i see. and she maintains it by herself?"


"mostly. she has a son and a daughter, but they no longer confine themselves to the lighthouse." marie looked out at that edifice, which was now more obscured by a rain which had started falling more heavily. "as i do not think i would have cared to, had i been born in such a place."

the comtesse was amused by marie's manner of speaking, and was mildly curious as to where she had acquired it. the child reminded her of an abbess, or a crypt-keeper, capable of long silences, but of a perfectly modulated flow of talk, once provoked.

"you do not find it romantic?" the comtesse asked her.

"not so much, madame," marie responded. "i would prefer the sight of green open fields, or the spires of ancient cathedrals."

"to each their own." the comtesse smiled. "tell me, i am still looking for good servants. not that those i have, such as yourself, are unsatisfactory. might this son and daughter, having fled their solitary rock, be suited for my employ?"

"i think not, madame. the son is a terrible rascal, reputed to be a smuggler and poacher. not that there is much to smuggle, or to poach, in these parts. and he is said to have broken the heart of every woman for ten miles around."

marie vouchsafed this last information, with the same nonchalance she might have said, "farmer pierre's pig escaped and dug up the neighbors' vegetable patches."

"ah. well, so much for him. and what of the daughter?"


for the first time since she had employed her, the comtesse saw something like a blush under marie's weatherbronzed little face. "that one!" she exclaimed. "of her there is little to be said that can be said."

the comtesse repressed a laugh. the rain had picked up even more, and she wrapped her shawl a little tighter around herself. "come, let us move back a little closer to the cliff."

there were recesses in the cliff which provided almost the shelter of a building. when they had retreated to one the comtesse stood looking out at the sea, apparently lost in thought. marie stayed a little in front of her, as silent as a piece of seaweed.

"do you mind if i ask you a question?" the comtesse finally asked.

marie looked up at her curiously. "madame is a countess. she can ask what she pleases."

"of course. but these are strange times, when up is down, and down is up and then down again. things will never again be as they were, when one is born in one place and stays there until a grave is dug for them." the comtesse stared at marie but she only stared back.

"i have noticed," the comtesse continued, "that you seem to be able to read. i was thus led to wonder - i put it bluntly - have you fallen from a higher position? were you born in your present situation?"

"i was indeed born in my present situation, madame. i have hardly strayed a few miles from the village. in fact i can hardly be said to be from the village, only from the forest."

"but you do know how to read?"

"i do, madame. father paul was kind enough to teach me."

"ah. i take it he is the village priest?"


"he is. i did so well in the sunday school, learning the bible stories and lives of the saints and martyrs, that, being a saint himself, he took it upon himself to teach me to read."

"i see. do you know, i have traveled all over the world, and made the acquaintance of many different, and different types of persons, but i do not know that i have ever met a saint."

"that is unfortunate. perhaps madame met some, but as they did not advertise their sainthood, she was unaware of it."

"perhaps. tell me, do you read anything other than the bible, or the lives of the saints?"

"oh, yes. i am now reading the chronicles of the crusades, and the poems of ronsard."

"good heavens! next you will be spouting corneille and voltaire at me. or aeschylus or shakespeare or addison."

"i have heard that corneille and voltaire are very wicked."

"no doubt." the comtesse looked out at the sky. it was now raining steadily. "we shall have to continue this most interesting conversation sometime. why don't you find michel and have him get the coach ready to return. i will be along in about five minutes."

"madame should have brought an umbrella. is there one in the coach?"

"i do not think so. go. i will follow shortly. i do not mind getting wet."


5. marie's tale



Wednesday, July 31, 2013

hiram and hermione - 4. the announcement

by florine di fabrizzi

illustrated by danny delacroix and eddie el greco

editorial consultant: Prof. Dan Leo

click here to begin hiram and hermione

click here to begin the 14th princess





hiram harris had been a dull boy. harriet had often despaired of making anything out of him.

if she could not make him adventurous, intelligent or energetic, she could at least make him dutiful and punctual. and she did.

or maybe he had just inherited these qualities from her, and all her efforts at training him had been superfluous.

in any case, by the time he had been entrusted with the nominal management of the factory, he had become even more a creature of habit and routine than his mother.

hiram departed the factory on foot at quarter to three every afternoon "leaving" it in the care of the foreman bud riley, and arriving at the family home for dinner at exactly three o'clock.

a curious time for dinner, but one that suited harriet unless she was entertaining guests, which she only did under the most severe and unavoidable exigencies.

it only spasmodically and fleetingly occurred to harriet that her lack of sociability might have a negative effect on her ambitions in the town.

the table was always cleared at five minutes to four, and hiram made his return journey, arriving back at the factory at quarter past four. he remained there until nine o'clock, an hour after the gates had been opened for the workers to depart for their homes or for the saloons.


when hiram got home at quarter past nine, he invariably went to bed, after drinking a glass of milk and eating a slice of pie and reading a page of the bible.

harriet and hermione would already be in bed at nine, sparing hiram the tedium of talking to them and saying good night to them.

poor hermione had restless dreams and often cried out in the night. no one ever responded to her cries.

harriet usually slept soundly, no matter how much annoyance she had suffered during the day.

hiram always slept soundly.

on the day in which our story commences, the sky was a brilliant and cloudless blue as hiram wended his way home - the same sky whose benign influence had caused bob fisher and sam wilson to decide to abandon the office of the times-gazette and go fishing at shag creek.

the same blue sky being observed with satisfaction by doc wilson (no relation to sam) as he sat on his front porch in a rocking chair sipping a cool glass of lemonade. he had put harriet harris and her imminent demise completely out of his mind.

the same blue sky that millie porter, behind the counter at the general store, glanced at out of the corner of her eyes as she slapped together two enormous ham and cheese and tomato sandwiches for bob fisher and sam wilson to take with them to shag creek .

the same blue sky that was blotted out of bob fisher's vision as he reached deep into the ice chest at millie's for a couple of cold bottles of sheboygan ginger ale.

hiram was mildly surprised when he arrived home to find hermione seated beside harriet in the parlor. hermione usually took a nap just before dinner and had to be awakened when it was being served.

mildly surprised and mildly perturbed, as he always was by the slightest deviation in his routine.

harriet, in her usual fashion, got right to the point.


"be seated, hiram. i have an announcement to make. i have waited for your return to make it to both of you, as i do not wish to waste such time as i have left in repeating myself needlessly."

"such time as you have left? , hermione exclaimed.

harriet ignored her. "i was informed this morning by doctor wilson that i have approximately three weeks to live."

"you do not say so," hiram replied, as he settled into his chair.

hermione screamed and began to sob. "oh, that is not possible!"

"it is eminently possible. stop your caterwauling. you sound like a servant girl who has dropped a dish of mashed potatoes on the carpet."

hermione put her face in her face and stifled her sobs.

hiram cleared his throat. "i suppose doctor wilson knows his business."

"i am going to assume that he does. i am going to proceed on the assumption that he does."

hiram nodded. the thought flickered through his brain that harriet was enjoying herself - something she rarely did.

"now, both of you listen to me. i have never had much hope for either of you. it is more important than ever that you realize that you are a pair of helpless fools and that you must therefore do exactly what i tell you. do you understand?"

"i understand," hiram muttered.

"speak up! i am not sure i heard you."

"i understand," hiram repeated in a clearer voice.

"good. and what about you? "

"yes, mother."

"yes mother what?"

"i - i will do whatever you say."

"excuse me mum." the cook had appeared behind harriet.

"what is it?"

"i know you said i might have to wait, mum, but the dinner is getting cold -"

"you will serve it when i tell you to. if it is cold, heat it up. is that so difficult?"

"no, mum."

"then get back to your post."

"yes, mum."

harriet watched as the cook retreated and waited until the kitchen door stopped swinging shut behind her.

"eavesdropping! again!"

***


zelda stopped hammering on the old manual typewriter. she pulled the paper out of the roller and quickly scanned it.

florine was lying on the bed with her hands behind her head. "finished?"

"well, no, i am not finished. i've done enough for now."

"you know what i meant."

"want to look at it?"

"sure." florine sat up on the edge of the bed. zelda handed her the two pages she had just typed up.

like many of the girls, florine had dispensed with the services of a maid. and like most of the girls, she had become quite friendly with her regular guards - the persons she saw most of during the day and night.

there was no rule against the guards or maids helping the girls with their novels.

the rules specifically stated: "contestants are not prohibited from conversation with guards or maids. they may discuss the contest, and even request advice or input regarding the contest. note that staff were not retained on the basis of any presumed expertise on matters relating to the contest."

florine had found zelda willing and capable and even eager to not only "help" but practically write her novel for her.

zelda sat down beside florine as she read the pages. "like it?"

"yeah, it's good."

"just good?"

"it's great." florine kissed zelda on the cheek.

"you know what?" zelda asked.

"no, what?"

"i've been watching you."

florine laughed. "hello! that's what you're here for, isn't it?"

"i'm serious."

"so serious."

zelda pushed florine down on the bed. florine did not resist.

"you know what i think?"

florine laughed again. "spit it out."

"i think you're a fake."

"you mean you don't think i really love you?"

"no, that's not what i mean at all."

florine blinked. "then what?"

"i don't think you're really a princess."

"yeah, right."

"i think you are here under false pretenses. you're some kind of impostor."

"you're being silly."

"am i?"



5. the minstrel



Friday, July 19, 2013

gertrude - 5. the woman in the blue dress

by dorine de santos

illustrated by eddie el greco and danny delacroix

editorial consultant: Prof. Dan Leo

click here to begin gertrude

click here for previous episode of gertrude

click here to begin the 14th princess





the mountain had turned upside down in the rain, like a branch floating in a swollen stream, and gertrude was walking through the clouds with her favorite sheep, the one which had been carried off by a wolf the previous winter.

the old woman was a rock and was waiting for her on the other side of the mountain.

the rain was not getting them wet, but they had to stay on the clouds to keep it from doing so.

suddenly the sheep turned into a gray cat and the clouds disappeared.

saint james and the archangel and a third person - a young woman in a long blue dress - appeared out of the rain. saint james pointed to gertrude and the other two laughed.

gertrude woke up. she immediately forgot the dream, as she always did. nor did she wonder "was it a dream?" she never did.

something was pressed up against her - not a sheep or a dog.


it was dark - pitch dark. she was in a hut, and could hear a very light rain beating on the roof of the hut.

she remembered she had accepted the offer of denise, the sheep-shearing girl, to spend the night in her hut. it was denise who was pressed up against her, with her left arm across gertrude's back. they were both lying on a straw pallet in the middle of the hut.

there were no windows in the hut, and only one door, which must have been shut tightly as no light was coming in from the edges of it.

gertrude gently pushed denise's arm off of herself, and sat up in the darkness.

she had never slept so close to another person, when the old woman was alive they would sometime sleep together in the hut on winter nights but with gertrude in a corner and the old woman in front of the door.

she remembered denise giving her some food on a plate and herself eating more than she had ever eaten at one time in her life before. and denise laughing at her because she ate so little.

and denise had given her a little cup of what she called wine. gertrude had heard of wine before, but had never tasted it.

she remembered denise talking. and talking and talking and talking.

and then something else had happened. she could not remember exactly what.


gertrude either remembered things or she did not.

denise had kissed her a couple of times, she remembered that much.

something strange had happened. life was strange - gertrude accepted that. but what had happened, whatever it was, was really strange.

stranger than the old woman dying. or her favorite sheep being carried off by the wolf. stranger than meeting st james, or the archangel.

suddenly the room was filled with bright light. gertrude was blinded, and threw her hands up in front of her face.


when she was able to adjust her eyes to the light and lower her hands she saw someone standing before her. for a second she thought it must be denise, but then she saw it was the young woman with the blue dress from the dream, who had laughed when st james had pointed to gertrude.


denise had not awakened. this frightened gertrude, much more than the appearance of the young woman in blue.

was she dead? gertrude reached back and touched denise's arm.

"why are you touching her?" the young woman asked her in a sharp voice - the sharpest and clearest voice gertrude had ever heard.

gertrude stared up at her. "i wanted to see if she was alive."

"she is alive. do not worry about her. pay attention to me."

"who are you?"

"you do not know who i am?"

"no."

the young woman laughed. "so what they told me was true. but you do know, do you not, that you are wicked?"

"no, i do not. i do not know what that means."

"it means that you are damned."

gertrude did not know what that meant either. she looked back at denise again. how could she not wake up?

"i told you to look at me, not her."

***





dorine put her pencil down. she was well ahead of schedule, so she felt no pressure to keep on. but she did not feel like continuing.

it was late. she knew she was not going to get to sleep.

she got up and went to the window and looked out into the darkness.

"anything out there?" marisa, lying on the bed, asked. dorine could never tell if marisa was trying to be humorous.

"no," dorine answered seriously. "i just wish i had asked to go out when i had the chance today."

marisa had become her regular night guard. she and dorine did not have a lot to say to each other. she was one of the youngest guards and claimed she had never been away from the village. and did not show any great interest in the world beyond it. but she was cheerful enough, and dorine usually let her make herself comfortable in the room instead of having to sit outside in the corridor.

"i don't see why we can't be let out for walks when it is dark," dorine said. "how is it that different from the daylight? where are we going to go?"

"i told you before, sugar plum, take it up with prue. i can't help you."

"i already did."

"oh?"


"she wasn't very receptive."

marisa laughed. "i can just picture one of you getting lost or running off and the whole staff running around in the dark trying to find you. prue would love that."

"i wonder if miss prue could even make the decision herself to change the rule."

"i don't know. i can't help you there either." marisa sat up on the bed. "you want to sleep?"

"no, not for a while."

"you want the bed?"

"no thanks. i'll let you know if i do." dorine continued to look out the window.

dorine liked marisa but was frustrated by her imperturbability. she wanted to draw her out, try to get a hint - just the barest, tiniest hint - that she might be receptive to helping her, not necessarily to escape, but to bend the rules in little ways that might lead to something that might lead to something…

almost three weeks had gone by. three weeks! dorine felt that she was getting nowhere, either with the staff or the other girls.

but she was resolved not to give up.


6. the message of the woman in blue